Pennington studied graphic design, so he is attuned to texture in a extra refined manner than your common big ball of twine. Texture could be dramatic, but it surely would not should be. And whereas we have a tendency to think about it as one thing tactile – a floor with character we will expertise via contact – it would not should be that, both.
You may see this nuanced appreciation of texture in Pennington’s work. Take, for instance, his 2011 line of materials designed for Westminster Fibers. Pennington is, in some methods, an analog man, so when designing these materials, he made wooden stamps and used these to create the patterns. The method gave the materials an “natural really feel” with “actual texture, actual depth,” he advised MyFixitUpLife. Sound acquainted?
You’ll find texture in lots of locations: variations in materials, distinguishing colours, and variations in tactile qualities. Contemplate the room pictured on Instagram: The tactile properties of the supplies aren’t remarkably totally different; the espresso desk, finish desk, flooring, and paneling are all most likely fairly comparable by way of really feel. Nonetheless, the contrasts in colour and materials are distributed to distinguish one layer from one other whereas reaching cohesion. The blue and white rug recollects the framed artwork. The lamp recollects the wooden paneling. The underside rug – most likely a wool Berber – suggests jute and gently contrasts the ottoman.